| A historical survey of American music emphasizing stylistic developments and illustrative musical examples from colonial times to the present. Includes American musical theater, jazz, folk and popular styles. |
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| An introduction to art from 1650 to the present day. The course offers a critical grounding in selected themes with an emphasis on cultural history and stylistic change. Includes painting, architecture, film, photography, and sculpture. |
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| This course explores fundamental issues in the production and interpretation of art. Representation and style, changing ideas of beauty, the artist in society, art and controversy, and the relationship of art to visual culture are studied as the basis for gaining a greater understanding of images. |
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| Using a variety of media, this essential studio course explores drawing as a way of seeing and recording visual information from the world around us. Principles of composition and explorations of personal expression are also introduced. |
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| An introduction to art and architecture in its historical and cultural context from the ziggurats of Mesopotamia and the pyramids of dynastic Egypt to the temples of ancient Greece and Rome, the mosaics of Byzantium, and the illuminated manuscripts and soaring cathedrals of medieval Europe. Attention is paid to skills in critical description and visual analysis. |
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| From Giotto to Giacometti, Fragonard to Frank Lloyd Wright, an examination of the visual and material culture of the Western world from the fourteenth century to the present day. Special attention is paid to aesthetics, economics, gender, and nationalism. |
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| This course introduces the physical and visual properties of oil paint. Through a variety of projects, students explore the expressive potential of this medium and learn basic techniques of professional studio practice, such as constructing a painting support and working safely with paint. |
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| Focusing on the late thirteenth to the end of the sixteenth century, this course offers a comprehensive survey of the major monuments, themes, and developments of Renaissance art in Europe. Works by Giotto, Van Eyck, Brunelleschi, Botticelli, D rer, Michelangelo, Raphael, and Titian, among others, are examined. |
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| This course uncovers the roots of modernism by tracing patterns of change in the art of France, Spain, England, and the German states from the 1780s to the 1860s. Painting and sculpture are examined in the context of political unrest, urban and industrial expansion, colonialism, the lure of the Orient, new criticism, and the burgeoning art market. |
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| A survey of ancient Greek and Roman art and architecture, highlighting major stylistic phases, monuments, and objects of art from the Greek Archaic period to the fall of Rome. The cultural, philosophical, political, and economic contexts from which Greek and Roman art emerged, and classical revivals in post-medieval Europe and in America, are also explored. |
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| This course surveys painting, sculpture, and architecture in a social, political, and cultural context in 17th- and 18th-century Italy. The work of the Carracci, Caravaggio, Bernini, and Borromini will be examined. Students explore such issues as patronage by private citizens, nobles, and popes; art and religion; the classical tradition; and art and architectural theory. |
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| An introduction to the art of the Low Countries and France, including the work of Rubens, Rembrandt, and Vermeer; the French Caravaggisti, Poussin, Claude, Watteau and Boucher. Particular attention is paid to questions of stylistic, geographical and political difference and to the social circumstances in which works were produced, viewed and sold. Prerequisite: ART 112 or ART 212. 3 credits. |
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| An examination of the origins, making and meaning of Impressionist and Post-Impressionist paintings in the context of momentous social and economic change in 19th-century France. Artists include Manet, Degas, Monet, CTzanne, Gauguin and Van Gogh. |
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| An overview of modern art from the 1890s to the rise of postmodernism in the 1970s, including important stylistic movements such as Cubism, Dada and Surrealism, Abstract Expressionism, Minimalism, Pop Art, and Conceptual Art. The focus will be on the ideas, works, and critical reception of specific artists, widened to include issues of science and technology, race and gender, and related developments in politics and literature. |
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| An introduction to American art from 1650 to the present day. The course offers a critical grounding in selected themes, with an emphasis on cultural history and stylistic change. Includes painting, architecture, film, photography, and sculpture. |
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| This course examines the interrelationship of art history and film studies from the origins of photography and cinema in the 1800s to the present day. Specific examples of filmmakers and artists are examined, as well as various art movements including Cubism and Surrealism |
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| An examination of the impact of Eastern culture, aesthetics, and formal design on Western art and architecture. Attention is given to Western historical conceptions of "otherness" and to the limitations of Western critical approaches to art history. |
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| This course investigates the art, culture, and architecture of Rome from the pre-Republican era to the 21st century. Organized thematically and chronologically, the course considers such topics as: images of authority; subterranean Rome; the path of the medieval pilgrim; antiquity and its reinterpretations in the Renaissance; urban planning in Counter-Reformation Rome; the Grand Tour; and Mussolini and fascist architecture. |
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| From classic novels and poetry, to popular fiction, to hypertext/media, participants will explore how the art of storytelling changes with the medium in which the story is told. This course first focuses on close reading and analysis of literature, and then explores the aesthetic and theoretical implications and opportunities of digital and interactive media that have created a rich new platform for the creation of literary and artistic works. |
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| An introduction to literary genres and to the basic methodology, terminology and concepts of the study of literature. Usually offered every semester. |
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| An introduction to the study of theater arts, using the study of representative theater texts from different periods and genres while tracing the evolution of the means-the techniques of acting, stagecraft, and playwrighting-by which these texts have been brought to performance from ancient times to the present. Usually offered alternate fall semesters. |
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| A survey of selected major American authors from the colonial period to about 1900. Usually offered fall semester. |
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| A survey of selected major American authors from about 1900 to the present. Usually offered spring semester. |
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| A survey of selected major English authors from the Middle Ages to about 1800. Usually offered alternate spring semesters. |
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| A survey of selected major English authors from about 1800 to the present. Usually offered alternate spring semesters. |
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| A survey of selected major writers from earliest literate hisory to about A.D. 1000. This includes literature from western Europe and non-western cultures. Usually offered fall semester. |
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| A survey of selected major writers from about A.D. 1000 to about 1800. This course includes literature from western Europe and non-western cultures. Usually offered spring semester. |
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| A survey of selected major writers from about 1800 to the persent. The course includes literature from Europe and Russia, as well as non-western cultures. Usually offered fall semester. |
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| This course aims to develop critical thinking skills through analysis and critique of a broad range of foreign and American films, and to enable an understanding of film's history as a form of political, social, and cultural expression. Students will acquire a critical vocabulary, and will be exposed to a variety of critical approaches to film. |
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| A study of French literature from the 9th to the 16th centuries. Works from the medieval epic and courtly romance through Renaissance philosophical essays. Development of advanced communicative skills through literature will be promoted. |
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| A study of the spirit and principal authors of French Classicism (with a special emphasis on the theater of Corneille, Racine and Moliere) and the main ideological currents of the 18th century, with a special emphasis on the writers of the Enlightenment and their role in the transition from the old to the new regime (Voltaire, Montesquieu, Diderot, Rosuseau, I'Abbe Prevost, Marivaux). |
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| A study of the main ideological and literary currents of the 19th centuries; Romanticism, Realism and Naturalism. Emphasis on the works of Flaubert, Balzac, Zola, Maupassant, Baudeliare, and others. Prerequisite: FRN 202. Writing process. 3 credits. |
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| A study of contemporary society as reflected in the literary evolution from Proust to the Nouveau Roman and le theatre de l'Absurde. Such writers as Giraudoux, Anouilh, Malraux, Sartre, Camus, Ionesco and Becket will be studied. |
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| A study of theater and poetry of the 19th and 20th centuries. |
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| Works of fiction and nonfiction selected to explore a particular topic or theme. Students may repeat this course for credit. |
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| A study of German song from Minnesang to Kanaksprak. Involves both texts and music as appropriate. |
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| For the non-music major, a survey of Western music designed to increase the individual's musical perception. |
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| For music minors and non-music majors, an introduction to the rudiments of music: notation, key signatures, theory, aural theory and so forth. |
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| Designed primarily for the non-music major, the course will focus on genre and period studies. |
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| A historical survey of U.S. music emphasizing stylistic developments and illustrative musical examples from colonial times to the present. Includes American musical theater, jazz, folk and popular styles. |
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| A survey course in the history of Western music (in the context of world musics of various cultures), with emphasis on stylistic developments and illustrative musical examples, from the classical period to the present. Music core course. |
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| An advanced course in music history. Beginning with late-19th-century musical developments, the course continues chronologically through the 20th century. Designed for music majors and interested non-majors who read music well. |
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| A study of the outstanding works of the period. |
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| A study of the major works of the period. |
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| Readings from the Enlightenment in Spain and an examination of the major works of romanticism and realism. |
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| A study of the literary movement of the century, starting with the Generation '98 and modernism. |
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| A study of the important writers of the century, with emphasis on recent developments. Prerequisite: SPA 202 or equivalent. Writing process. 3 credits. |
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