| A historical survey of American music emphasizing stylistic developments and illustrative musical examples from colonial times to the present. Includes American musical theater, jazz, folk and popular styles. 3 credits. |
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| An introduction to American art from 1650 to the present day. The course offers a critical grounding in selected themes, with an emphasis on cultural history and stylistic change. Includes painting, architecture, film, photography and sculpture. [Cross-listed with ART 330] 3 credits. |
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| Addressing the basic question "What is art?" this course explores the physical, perceptual and philosophical elements of visual art and architecture. Materials and methods, the role of artists, cultural ideals and changing ideas of beauty are studied as the basis for looking at, and discussing, art throughout the ages. 3 credits. |
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| Using traditional methods in a variety of media, this essential studio course explores drawing as a way of seeing and recording visual information from the world around us. Principles of composition and explorations of personal expression are also introduced. 3 credits. |
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| An introduction to art and architecture in its historical and cultural context from the ziggurats of Mesopotamia and the pyramids of dynastic Egypt to the temples of ancient Greece and Rome, the mosaics of Byzantium and the illuminated manuscripts and soaring cathedrals of medieval Europe. Attention is paid to skills in critical description and visual analysis. 3 credits. |
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| Using art-historical examples, this course introduces the physical and visual properties of paint. Through a variety of projects, students explore the expressive potential of this medium and learn basic techniques of professional studio practice, such as constructing a painting support and working safely with paint. Prerequisite: ART 105 or permission. 3 credits. |
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| Focusing on the late thirteenth to the end of the sixteenth century, this course offers a comprehensive survey of the major monuments, themes and developments of Renaissance art in Europe. Works by Giotto, Van Eyck, Brunelleschi, Botticelli, Durer, Michelangelo, Raphael and Titian, among others, are examined. Particular attention is paid to the antique tradition in the arts, development of the professional artist, church patronage, and the development of modern political and economic systems. Prerequisites: ART 100 or ART 112 or ART 212. Writing process. 3 credits. |
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| This course uncovers the roots of modernism by tracing patterns of change in the art of France, Spain, England, and the German states from the 1780s to the 1860s. Painting and sculpture are examined in the context of political unrest, urban and industrial expansion, colonialism, the lure of the Orient, new criticism and the burgeoning art market. Artists include David, Goya, Friedrich, Constable and Courbet. Prerequisites: ART 112 or ART 212. Writing process. 3 credits. |
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| A survey of ancient Greek and Roman art and architecture, highlighting major stylistic phases, monuments and objects of art from the Greek Archaic period to the fall of Rome. The cultural, philosophical, political and economic contexts from which Greek and Roman art emerged, and classical revivals in post-medieval Europe and in America, are also explored. Prerequisite: ART 100 or ART 112. 3 credits. |
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| This course surveys painting, sculpture and architecture in a social, political and cultural context in seventeenth- and eighteenth-century Italy. The work of the Carracci, Caravaggio, Bernini and Borromini will be examined. Students explore such issues as patronage by private citizens, nobles, and popes; the interconnection of art and religion; the classical tradition; and art and architectural theory. Prerequisites: ART 112 or ART 213. 3 credits. |
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| An introduction to the art of the Low Countries and France, including the work of Rubens, Rembrandt, and Vermeer; the French Caravaggisti, Poussin, Claude, Watteau and Boucher. Particular attention is paid to questions of stylistic, geographical and political difference and to the social circumstances in which works were produced, viewed and sold. Prerequisite: ART 112 or ART 212. 3 credits. |
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| An examination of the origins, making and meaning of Impressionist and Post-Impressionist paintings in the context of momentous social and economic change in nineteenth-century France. Artists include Manet, Degas, Monet, Cezanne, Gauguin and Van Gogh. Particular attention is paid to artist training; the exhibition, sale and collection of art; and new choices of subject matter. A variety of reading assignments takes particular account of different critical approaches to this field of study. Prerequisite: ART 100 or ART 212. 3 credits. |
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| An overview of modern and postmodern art from the 1890s to the present, including important stylistic movements such as Cubism, Dada and Surrealism, Abstract Expressionism, Pop Art and a number of postmodern approaches since 1960. The focus will be on the ideas, works and critical reception of specific artists, widened to include issues of race and gender and related developments in politics and literature. Prerequisite: ART 212. 3 credits. |
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| An introduction to American art from 1650 to the present day. The course offers a critical grounding in selected themes, with an emphasis on cultural history and stylistic change. Includes painting, architecture, film, photography and sculpture. [Cross-listed with AMS 331]. 3 credits. |
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| An examination of the impact of Eastern culture, aesthetics, and formal design on Western art and architecture, from the Hellenistic Greek embrace of Persian and Indian motifs to the intersection of Iberian art and the oeuvre of Picasso. The presence of Western motifs in Japanese art in the nineteenth century is also explored. Attention is given to Western historical conceptions of "otherness" and to the limitations of Western critical approaches to art history. Prerequisite: ART 100 or ART 212. 3 credits. |
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| This course investigates the art, culture and architecture of Rome from the pre-Republican era to the twentieth century. Organized thematically and chronologically, the course considers such topics as: images of authority (Republican & Empire); subterranean Rome: the catacombs; the path of the medieval pilgrim; antiquity and its reinterpretations in the Renaissance; the papacy and urban planning in Counter-Reformation Rome; the Grand Tour; and Mussolini and fascist architecture. Prerequisite: ART 112 or ART 212. 3 credits. |
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| From classic novels and poetry, to popular fiction, to hypertext/media, participants will explore how the art of storytelling changes with the medium in which the story is told. This course first focuses on close reading and analysis of literature, and then explores the aesthetic and theoretical implications and opportunities of hypertext/media, which has created a rich new platform for the creation of literary and artistic works. Prerequisite: Junior standing or permission of the instructor. This course fulfills an English 390 (Literature) requirement. It also meets an L5 requirement in the General Education Program. 3 credits. |
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| An introduction to literary genres and to the basic methodology, terminology and concepts of the study of literature. Usually offered every semester. 3 credits. |
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| A survey of selected major American authors from the colonial period to about 1900. Writing process. Usually offered fall semester. 3 credits. |
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| A survey of selected major American authors from about 1900 to the present. Writing process. Usually offered spring semester. 3 credits. |
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| A survey of selected major English authors from the Middle Ages to about 1800. Writing process. Usually offered alternate spring semesters. 3 credits. |
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| A survey of selected major English authors from about 1800 to the present. Writing process. Usually offered alternate spring semesters. 3 credits. |
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| A survey of selected major writers from earliest literate hisory to about A.D. 1000. This includes literature from western Europe and non-western cultures. Usually offered fall semester. 3 credits |
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| A survey of selected major writers from about A.D. 1000 to about 1800. This course includes literature from western Europe and non-western cultures. Usually offered spring semester. 3 credits. |
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| A survey of selected major writers from about 1800 to the persent. The course includes literature from Europe and Russia, as well as non-western cultures. Usually offered fall semester. 3 credits. |
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| From classic novels and poetry, to popular fiction, to hypertext/media, participants will explore how the art of storytelling changes with the medium in which the story is told. This course first focuses on close reading and analysis of literature, and then explores the aesthetic and theoretical implications and opportunities of hypertext/media, which has created a rich new platform for the creation of literary and artistic works. Prerequisite: Junior standing or permission of the instructor. This course fulfills an English 390 (Literature) requirement. It also meets an L5 requirement in the General Education Program. 3 credits. |
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| A study of medieval French literature to 1600. Works from the medieval epic and courtly romance through Renaissance philosophical essays. Development of advanced communicative skills through literature will be promoted. Prerequisite: FRN 300 or 310 or permission. Writing process. 3 credits. |
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| A study of the spirit and principal authors of French Classicism (with a special emphasis on the theater of Corneille, Racine and Moliere) and the main ideological currents of the 18th century, with a special emphasis on the writers of the Enlightenment and their role in the transition from the old to the new regime (Voltaire, Montesquieu, Diderot, Rosuseau, I'Abbe Prevost, Marivaux). Prerequisite: FRN 202. Writing process. 3 credits. |
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| A study of the main ideological and literary currents of the 19th centuries; Romanticism, Realism and Naturalism. Emphasis on the works of Flaubert, Balzac, Zola, Maupassant, Baudeliare, and others. Prerequisite: FRN 202. Writing process. 3 credits. |
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| A study of contemporary society as reflected in the literary evolution from Proust to the Nouveau Roman and le theatre de l'Absurde. Such writers as Giraudoux, Anouilh, Malraux, Sartre, Camus, Ionesco and Becket will be studied. Prerequisite: FRN 300 or 310 or permisson. Writing process. 3 credits. |
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| A study of theater and poetry of the 19th and 20th centuries. Prerequisite: FRN 300 or FRN 310 or permission. Writing process. 3 credits. |
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| A survey of German culture and civilization including history, music, art, literature, and philosophy. Prerequisite: GMN 311 or 316 or permission. 3 credits. |
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| A study of German song from minnesang to comtemporary rock and hip-hop. Involves both texts and music as appropriate. Prerequisite: GMN 202 or equivalent. Writing process. 3 credits. |
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| For the non-music major, a survey of Western music designed to increase the individual's musical perception. 3 credits. |
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| For music minors and non-music majors, an introduction to the rudiments of music: notation, key signatures, theory, aural theory and so forth. 3 credits. |
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| Designed primarily for the non-music major, the course will focus on genre and period studies. 3 credits. |
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| A historical survey of U.S. music emphasizing stylistic developments and illustrative musical examples from colonial times to the present. Includes American musical theater, jazz, folk and popular styles. Writing process. 3 credits. |
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| A survey course in the history of Western music (in the context of world musics of various cultures), with emphasis on stylistic developments and illustrative musical examples, from the classical period to the present. Music core course. 3 credits. |
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| An advanced course in music history. Beginning with late 19th-century musical developments, the course continues chronologically through the 20th century. Designed for music majors and interested non-music majors who read music well. Prerequisite: MSC 242 or permission of the instructor. Writing Process. 3 credits. |
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| A study of the outstanding works of the period. Prerequisite: SPA 202 or equivalent. Writing process. 3 credits. |
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| A study of the major works of the period. Prerequisite: SPA 202 or equivalent. Writing process. 3 credits. |
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| Readings from the Enlightenment in Spain and an examination of the major works of romanticism and realism. Prerequisites: SPA 202 or equivalent. Writing process. 3 credits. |
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| A study of the literary movement of the century, starting with the Generation '98 and modernism. Prerequisite: SPA 202 or equivalent. Writing process. 3 credits. |
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| A study of the important writers of the century, with emphasis on recent developments. Prerequisite: SPA 202 or equivalent. Writing process. 3 credits. |
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